随风而去

The nights must be hard, as they always are. The only thing harder to do than let go of the dead is to comfort the living. What does one do? What does one say? In us all we know the truth, which is that one leaves and never comes back, and there will be no more loud shrieks or shrill voices that wake you up in the morning, nobody to cook your food or wash the clothes or clean the house, as there have been for half your life. It is hard not to speak or think of these things, even though speaking or thinking them lead us to inevitable despair. One after the other they all fall, like toy soldiers, and the rest of us are left to pick up the pieces till the end of our own lives.

I did not know about the love story, and it surprised and dismayed me, how I knew so little about those so close to me. It seemed that everyone had a story, one of those great dramatic ones, and it made me realise how many of us amplify our own pain. Our experiences. Our loves and hates. I’d thought it was an exclusively teenage thing. It appears that it is not.

As I walked through those halls and came out in tears, again, for the second time in 5 weeks, there were so many people. All grieving. The same rites. A shared furnace. The fire in the hole. The flowers — the endless flowers. Relatives, sons, daughters, carrying picture frames out. We had to be herded like a tour group for fear of getting mixed up. Too often death is an everyday business. It does not consider the living. I was slightly comforted. It was everywhere.

I hope this will be the last time in a long time. My heart aches for the old man whose lover has passed. There have been too many things happening, and not enough time to breathe. I would like to be strong, as I am, most of the time. But when the storm comes, it would be best to have someone hold me close, and I should not have to say that I am weak.

Just had time to get over it — then another one bites the dust

In the spirit of Valentine’s Day — why not?

I.
I held myself too open, I forgot
that outside not just things exist and animals
fully at ease in themselves, whose eyes
reach from their lives’ roundedness no differently
than portraits do from frames; forgot that I
with all I did incessantly crammed
looks into myself: looks, opinion, curiosity.
——who knows: perhaps eyes form in space
and look on everywhere. Ah, only plunged toward you
does my face cease being on display, grows
into you and twines on darkly,
endlessly, into your sheltered heart.

II.
As one puts a handkerchief before pent-in breath —
no: as one presses it against a wound 
out of which the whole of life, in a single gush,
wants to stream, I held you to me: I saw
you turn red from me. How could anyone express
what took place between us? We made up for everything
there was never time for. I matured strangely 
in every impulse of unperformed youth,
and you, love, somehow had
wildest childhood over my heart.

iii.
Memory won’t suffice here: from those moments
there must be layers of pure existence
on my being’s floor, a precipitate
from that immensely overfilled solution.
For I don’t think back; all that I am
stirs me because of you. I don’t invent you
at sadly cooled-off places from which
you’ve gone away; even your not being there
is warm with you and more real and more
than a privation. Longing leads out too often
into vagueness. Why should I cast myself,
when, for all I know, your influence falls on me,
gently, like moonlight on a window seat.

—Duino, late autumn 1911, Rilke

Greek yoghurt and salsa for dinner at midnight. Yeah, I know…

Greek yoghurt and salsa for dinner at midnight. Yeah, I know…

The weather tonight is lovely, the days have been lovely, and my love is in a good place. There is much to be thankful for, even as I am sick and the world still hurtles past me. Like my new Alexander Wang bag! 

The weather tonight is lovely, the days have been lovely, and my love is in a good place. There is much to be thankful for, even as I am sick and the world still hurtles past me. Like my new Alexander Wang bag! 

Back when people still had to pay for music, money served to limit and define consumption. You could only afford so many records, so you bought what you could, listened to the radio or watched MTV, and ignored everything else. Those select few who did manage to hear everything—record store clerks, DJs, nerds with personal warehouses—could use this rare knowledge to terrorize their social or sexual betters, as in the pre-internet-era film High Fidelity. Napster made all of that obsolete. Today, almost every person I know has more music on his computer than he could ever know what to do with. You don’t need to care about music to end up like this—the accumulation occurs naturally and unconsciously. My iTunes library, for example, contains forty-seven days of music. According to the column that counts the number of times I’ve played each song, roughly a sixth of that music has never been listened to at all. In the 21st century, we are all record store clerks.

I suppose turnabout is fair play, so it’s about time I end up being the one who gets all jumpy when I’m not the one playing the “I’ve been hurt before” card.

Just a friendly reminder. Blackmarket, Orchard Central.

Just a friendly reminder. Blackmarket, Orchard Central.

Let’s get away and out of this city.

Let’s get away and out of this city.

Some clothes tags are better than others. Monki, Sweden.

Some clothes tags are better than others. Monki, Sweden.

Fruits always save the day.